As you can see this painting is still on the easel. This is
                               the block-in. I have always been attracted to rocks. There
                               shapes, forms, and textures are always challenging. In
                               this case I was attracted to their shapes and arrangement.
                               But, they were all the same type of rock, so it's time to
                               invent hue and texture. Which rocks get more definition and why?
                               As in previous Newfoundland scenes, the sky is also
                               a key feature or focal point. How will I move the eye
                               around the painting? That might influence which rocks
                               get more attention. Watch out for further development.